Lockdown 3 is the sequel we never asked for, so to quell the disappointment and bring the queer joy, we’ve organised our very own lockdown quiz.
Marking the start of LGBT+ History Month, on Friday 5 February, our special online quiz will test your knowledge of queer culture and hopefully bring a giggle!
Whether you’re flying solo, in a bubble, or locked down with your chosen family, join us for a slice of silly, with a side order of LGBT+ theirstory in our interactive Reyt Queer Quiz. Add in plenty gorgeous prizes from local independent traders, and a sprinkle of fabulous queer performance from Christian Adore, and you’ve got a bit of Friday night magic.
Expect questions on LGBT Hers/ His /Theirstory and queer culture. With interactive elements to keep things the right shade of nonsensical.
You can form a team with pals, or play solo. Max 4 in a team to keep things fair! HOUSEHOLD TICKETS are available for 2 – 4 people in the same house *who will be sharing a screen*. Any questions, just get in touch!
2020. Wow. We did not see that coming. The start of the year seems like a hazy fog, where the idea of putting on a huge drag king cabaret for 350+ people is like some mad dream. But that’s what we were preparing for back then.
Despite all the nonsense, heartache and grieving this year has brought, here at Andro and Eve we have things to celebrate. And as relentless purveyors of queer joy, (because joy is resistance, to so many communities), we’re here to review the highs, and some challenges that 2020 has brought.
We started the year with a screening of music documentary, Silvana, at legendary music venue, Yellow Arch Studios in Sheffield. Collaborating with Sheffield Doc/Fest, was a first for us, with Melanie Ireldale the deputy director, introducing this celebration of the story of Swedish rapper Silvana Imam, her rise to fame and blossoming romance with Swedish pop star Beatrice Eli. Many in the audience fell hard for this lesbian power couple that evening.
In March, we had the 6th edition of The Kingdom Come planned at Abbeydale Picture House with a stellar line up of talent. Just a few days after we trained our amazing team of volunteers at the venue, the board of Andro and Eve discussed the situation, and made the unanimous decision to cancel our drag king cabaret, scheduled for the 21st.
Facing a significant financial loss, the next week was a blur, but our community came through, with 85% of those who had already booked tickets, donating their ticket, which bought us valuable time to plan for a very different year and apply for funding. Thank you to you if you were one of those kind people.
In May we found out we had been successful in securing Arts Council England Emergency Funding. And with that a bit of breathing space. Launching our drag king workshop course in June, we were bowled over for demand for places on the course, with 50+ people taking part in 3 sessions led by drag king Christian Adore in July. Have a peep at what that involved, and what our participants thought in the video below.
Developing talent is key to our work. Our 2020 programme included an online Cabaret College, which we produced in collaboration with LoUis CYfer. Over 8 weeks, 13 emerging drag and cabaret acts were given the opportunity to develop their own material with regular mentoring from LoUis, and 4 creative sessions. As one of the participants said
The whole experience was so safe and welcoming. I was VERY nervous and always felt supported and like I could ask for help
As well as developing talent we were also aware that digital delivery would limit the audience for our work, and wanted to use print to connect. So we commissioned graduate artist, and founder of Racezine Collective, Okocha Obasi to produce a brand new zine. Okocha was mentored by artist Seleena Laverne Daye, and worked closely with Assistant Producer, Emma Bentley – Fox.
We launched Centre zine with a special online party, A Reyt Queer Night In. With a vogue workshop by Mother of House of Ghetto, Darren Pritchard, and a party makeup workshop by Christian Adore, the night was topped off with a brilliant set from Gal Pal’s DJ Xzan. The night certainly went down well with attendees..
The music was amazing, really good range covered. I liked being greeted on arrival, the friendly, multigenerational space and chance to put in requests
It sure beat our first attempt at an online party – a Netflix screening party of Clueless on March 28th! It was cute, but, not quite up to our usual standard..!
In November we launched a new range of merchandise including postcard sets, badges and tote bags in the Trans Pride Flag colours. Because trans rights matter and we’re here to celebrate trans lives. They look lovely on our newly redeveloped website.
Behind the scenes, we filed our first year accounts to Companies House (what a highlight!), and Artistic Director, Katherine developed a Gender Awareness Training session, aimed at staff in organisations and businesses of all sizes. Both Assistant Producer Emma, and Katherine, undertook anti racism training through Racial Justice Network, with Emma also taking part in Access and Audio Description training with Quiplash. This will inform the way we work in the months to come and is an important part of our mission to make our work accessible and inclusive to all.
On that note, we’ve just launched a new Community Survey. We don‘t know what the future holds, but we want to make plans with our community as the focus. If you’ve been to one of our events or workshops before, or follow us online and have 5 -10 minutes to spare, please complete the survey here. You can win a bundle of Andro and Eve goodies too!
Another highlight for Andro and Eve in 2020 was being invited to join Queer Arts North – a network of queer arts and Northern performance venues, platforming and providing talent development opportunities for LGBTQ+ artists in the North of England. It was great to be part of an artist networking event as part of Homotopia Festival in November.
The events of 2020 made us even more determined to work towards equality for all, and support the Black lives matter movement. The fight for racial equality would be nowhere without Black feminists like Audre Lorde, Angela Davis and Olive Morris, and Black LGBT+ community pioneers including Marsha P Johnson, Storme DeLarverie and Miss Major. We continue to familiarise ourselves with our history, and participate in anti racism work. On that note, this year, we’ve platformed Stop the Scandal, a campaign to prevent the use of mobile fingerprint scanners, linked to the Home Office database, by the police. If you haven’t read it yet, check out the piece by the Stop the Scandal campaign here.
At this point, please excuse some soppiness in expressing a wholehearted thanks to the two new members of the Andro and Eve board, Lola White and Ellie Wyer. Having only joined the board in February, they came through hard for Andro and Eve, and have supported the development of the organisation in this most difficult of years. A special mention must also go to Assistant Producer, Emma, who has gone the extra mile to help us produce and market all our creative projects and events in the last year.
We want to say a massive thank you to all the artists we worked with in 2020, for your dedication, creativity and hard work. Thank you also to the team of freelancers who help make our work look so bold and beautiful. And thanks so much to the volunteers who’ve helped out this year too.
In a year filled with challenges, and so much division sowed between communities, COVID has shown how unequal UK society is. We know in a way, that Andro and Eve and our tiny team are some of the lucky ones, we’ve carried on, while other enterprises have simply not been given the same support, or opportunity. We believe everyone should have the opportunity to make art, and access to culture. So we’ve dug in and got through 2020, and in many ways grown. But we know there is so much work to be done, and it is only in collective effort that we stand to make an impact.
Thank you to everyone who has told a friend about us, bought a ticket, donated, shopped or shared what we do. Your support is the reason we’re still here.
With 2020 drawing to a close (phew), and with pretty much nothing this year turning out how we expected it, we, like many other organisations are looking ahead to 2021.
COVID-19 has affected the way we share queer culture with our community, with the delivery of online workshops and the publication of our first zine, Centre in 2020. We, like everyone, are unsure what 2021 will bring, and are keen to plan ahead using the views of the community which we serve. So we’re launching a Community Survey, to get a sense of what, and when you’d like us to be doing in 2021.
As a community – led organisation your opinions matter to us very much, so if you have 5 – 10 minutes to share your thoughts, and you have either been to one of our events / workshops, bought a copy of Centre zine, or just follow us online, please do complete our survey.
What you say will likely have a direct impact upon when we return to live events, or what other offers we can make in 2021.
As a thank you, if you leave your email address we’ll add you to a prize draw, where you can win a bundle of Andro and Eve goodies, including our new tote bag!
We’re Andro & Eve and we celebrate queer culture! Check out this new film sharing our work. If you’ve been to one of our events or workshops before, you might just spot yourself! You can also find out more about what we do here.
We’re proud to have continued to bring you creative activity during the last 6 months. This has been made possible through public donations and Arts Council funding. We’re continuing to fundraise behind the scenes to support activity in 2021.
You can help us. Want to know how? Here’s some ideas!
Buy a copy of Centre zine – packed full of queer goodness – a brill way to stay connected to queer culture.
Tell your workplace / boss about our new Gender Awareness Training, helping support more inclusive service provision for Transgender and gender diverse people.
We’re thrilled to share our brand new merchandise! Available on our online shop now!
The new merchandise includes Tote Bags, Postcard Sets and Mini Badge packs. After consulting with our community a few weeks back, we chose two colour ways for the new tote bags. They are made from sustainably sourced cotton and are available in Turquoise or Black. Designed and printed in Sheffield, they’re a fab way to show your support for Andro and Eve and send out low key queer vibes!
The Postcard Sets features hand drawn artwork, by Andro and Eve co-founder, Katherine Warman, and showcase three of the artists who have previously performed at our events. The Mini Badge packs feature 4 different designs and are a perfect way to spread some queer joy!
You can win everything pictured for you and a friend. Head on over to our Instagram or Facebook pages to find out more and enter the prize draw. Deadline is midnight on the 25th October!
All profits from sales of our merchandise are used to support the work of Andro and Eve. Find out more about our work here.
As part of Centre zine, we chose to highlight the Stop the Scandal Campaign. This grassroots campaign was created by Yorkshire’s Racial Justice Network and supported by Yorkshire Resists. They wrote the following piece for our new zine, which is on sale now. 50% of profits from sales of Centre zine, will be donated to the Racial Justice Network. Read on to find out more about Stop the Scandal.
The Stop The Scan campaign challenges a move initiated by West Yorkshire Police in 2019 to introduce mobile fingerprint scanning linked to immigration databases, using equipment funded by the Home Office.
These biometric devices are used with officers’ mobile phones, as they detain people in the street. This adds an extra, dangerous dimension to Stop and Search protocol, which according to the government’s own research, disproportionately targets Black and Brown people (with Black people 10 times more likely to be targeted by police¹).
The technology is used once police officers have deemed an offence to have been committed. This could be anything from loitering to dropping litter. If the officer doubts the given identity from the person detained, they may then use a scan of their fingerprints in order to carry out a person search on their identity. It’s crucial to emphasise that an officer uses their own discretion to determine how authentic your given identity is, a subjective judgement, which in the campaign’s view, has the potential to even further discriminate against trans people within Black and Brown communities.
Scans like this have only previously been carried out at police stations following an arrest. But what future lies ahead, where one’s dignity is stripped down and reduced to the opinion of a police officer, and a frequently inconclusive fingerprint machine?
The officer may choose to check identity against records held on IABS (the immigration fingerprint database). Stop and Scan is part of an immigration system that a 2019 inquiry into the Windrush scandal showed, to hold not only “poor quality systems and data”, but a “failure to monitor the impact of compliant environment measures” (now known as hostile environment measures)². A flag on the database – which could exist for any type of activity – may prompt a call to Home Office enforcers, heightening the risk of entering indefinite detention, or being deported.
The question remains: why use a device which could only identify those with fingerprints either on the IABS or criminal database, IDENT1?
The Stop The Scan campaign was created by the Racial Justice Network and supported by Yorkshire Resists. We are a network of individuals and organisations working together to end racial injustice. Our campaign is about alerting you to the racist nature of the intrusive power that biometric technology extends to the police. These technologies are being introduced, but they lack any meaningful scrutiny of their impact on the communities that the police are supposed to protect.
After the pilot by West Yorkshire Police ended, no evaluation of its use and impact was done before the technology was rolled out nationally.
Aside from West Yorkshire Police, no other police force is publicly recording the ethnicity of the people they are stopping and scanning. The lack of transparency makes it difficult to ensure that the use of this technology does not target certain communities unfairly.
In response to what we know, and what we can only speculate, the Stop the Scan campaign is calling for:
The dismantling of the Hostile Environment: the UK must be a safe place for all people to seek and live a decent life.
The severance of all links between the Police and Immigration, including a firewall between the police and all Home Office databases.
An end to Stop and Scan.
We are looking for support from people able to help raise awareness, to advise on the shifting legal rights landscape during the pandemic, for advisors who may help construct a legal challenge to the roll out, and for people who have been scanned and are willing to offer their experience as a case study.
To find out more, visit StopTheScan.co.uk and search the #StopTheScandal and #EndStopAndScan hashtags. To get involved in supporting the work, email [email protected].
We believe in artists. They have the power to make change. We also believe that everyone has the ability to be creative, and therefore creative opportunities should be available for everyone. Creativity helps us explore. Helps us dream. Helps us find a way back to ourselves. Or discover who we are. Something people LGBTQ+ identified need. In a world that often taught us we didn’t fit, discovering ourselves can take that much more.
Our mission at Andro and Eve is to bring the community together to celebrate queer culture. The COVID-19 crisis has given us an opportunity to adapt our offer and find new ways to reach our community.
CENTRE is one such way to connect our community with one another, in a year in which everyone has been in some way affected by the global pandemic. Okocha has curated and designed this unique collection of stories, poems and creative works, bringing voice to a range of LGBTQ+ people living in the North of England.
We also believe Black Lives Matter, and stand in solidarity with those who fight against the structural racism here in the UK and across the world. CENTRE contains a piece by Stop the Scandal, a grassroots campaign to stop the use of mobile fingerprint scanning linked to immigration databases by police. We’ve also connected with our friends at LASS (Lesbian Asylum Support Sheffield) to bring you an interview with one of their members. 50% of all profits made from sales of CENTRE will be donated to Yorkshire’s Racial Justice Network, who bring together over thirty organisations in the West Yorkshire region to proactively promote racial justice.
The stories, poems and creative works in CENTRE are about things chosen by LGBTQ+ people living in the North of England that matter most to them. Andro and Eve, as a queer arts organisation based in South Yorkshire, is proud to serve and represent ‘Northern’ voices and we hope you will enjoy reading CENTRE.
Our thanks in producing this zine go to organisers from LASS, Stop the Scandal and Racial Justice Network. A huge thank you to Okocha Obasi for his creative vision and hard work, and to the artists and members of the Andro and Eve community who have contributed their work to CENTRE.
Ready to get a copy? Order from our shop here. And celebrate its launch with our special online party, A REYT QUEER NIGHT IN, on 10th October. We’re bringing the party direct to your front room! We hope that we’ll connect with you online soon.
Katherine Warman. Creative Producer / CEO Andro and Eve. September 2020.
This zine has been made possible through Arts Council England’s emergency funding in response to the COVID-19 crisis.
Next month we launch our new zine CENTRE, with a special online event, REYT QUEER NIGHT IN, to bring our community together. And of course queer culture will be served up front and centre!
Part of our offer is a Vogue dance workshop with Mama Ghetto aka Darren Pritchard. Darren is a performer, choreographer, producer and director. He is also a celebrated Vogue performer and Mother of the House of Ghetto Manchester. We’re thrilled he can join us to teach some Vogue moves and flair via Zoom!
Darren says ‘Vogue is important to me, because it embraces my love of dance, my love of QTIPOC culture and allows me to be me and who ever else I want to be. Through the ballroom culture as a Mother I have seen people grow and develop and do things they thought they could never do’.
Manchester’s House of Ghetto have made their name in the Manchester Vogue ball scene with tight choreography performed solely by Black female dancers. House of Ghetto also feature in documentary ‘Deep in Vogue‘, which examines the North West’s Vogue ball scene, and which premiered at BFI Flare in 2019. Darren has produced Vogue Balls throughout the UK including Manchester’s first Black Pride Vogue Ball as part of 2019’s Manchester Pride. Read more about the House of Ghetto and Darren here.
Our REYT QUEER NIGHT IN is about having fun with your community, so before getting your vogue on with Mama Ghetto, we’re encouraging you to join drag star Christian Adore with his ‘Party Eye’s’ makeup workshop, for all genders. Because remember, makeup has *no* gender! Its bound to be an irreverent and joyful way to get ready for your queer party at home!
Finally, we’re super excited that DJ Xzan, will be performing a live DJ set 9 – 11pm bringing the party direct to your front room. They’ll be playing a high energy set with plenty queer pop party anthems to help you share in the queer joy. DJ Xzan aka Xandice Armah is an open format DJ from London and co founder of Gal Pals, the LGBTQ+ dance party centring womxn and excellent pop music. Xzan has supported the likes of Big Freedia, JD Samson, Anna Clavi, MNEK and Mabel, as well as playing at Glastonbury on the Sisterhood Stage.
All those who pre order a copy of CENTRE will get sent a link to the DJ set for free, but if you want to join us from 7pm, you’ll need to get your ticket via Tickets For Good. Sliding scale prices to suit all budgets are available! We hope you can join us on the 10th October, serving your best party looks, and bask in the queer joy!
CENTRE will be available on our online shop for pre sale on the 1st October and posted out around REYT QUEER NIGHT IN on 10th October. The zine is a collaboration with artist Okocha Obasi and created using Arts Council England’s COVID-19 Emergency Funding.
We are sorry to say we will not be returning to host live, in – person events until Spring 2021 at the earliest. We have taken this decision in light of the ongoing situation with COVID-19 and the need to plan ahead as best we can.
As a queer – led social enterprise, which means we put people before profit, and care of the most vulnerable and marginalised at our heart, we cannot see a scenario in which we can bring properly safe and inclusive events to our community until next year. We know many of you, like us, are struggling with anxiety about returning to any sort of normal, and we recognise that we need to adapt.
We have spoken at length with our partner venues about the measures in place to maintain social distancing, and keep audiences and workers safe. Sadly, the capacities allowed in venues would in no way enable us to cover the costs of producing the events we have become known for. We also have the health and wellbeing of our artists, staff team and volunteers to consider. A Reyt Queer Do and The Kingdom Come are meant to be joyous and cosy events. We would rather wait and bring these events back when it feels much safer to do so. Right now, we couldn’t in good faith, host live events indoors when so many people are still shielding, or taking extra precautions to protect those around them.
Under lockdown we are proud to have continued to support queer artists, delivering a range of creative activity and developing talent in the North of England. It’s been been wonderful to see new and familiar faces at our online workshops. We will be applying for more funding to continue to adapt our offer during these challenging times.
We know this has been a tough time for so many. We plan both to continue to offer online and remote activity, and take time to develop the organisation. We may start hosting in person workshops in Spring 2021, but we also realise there are many unknowns.
We’ve got plenty plans in the pipeline and will share those with you as soon as we can. If you’d like to support our work you can do so by donating via our website. Your support ensures we can continue to support LGBTQ+ artists in these difficult times.
Our new zine, CENTRE, will be launching in October, so make sure you’ve signed up to our newsletter to be the first to get your hands on a copy and hear about a special online event to mark the occasion.
We can’t wait to return with a bang when it is safe to do so. Till then, we hope you can join us online soon.
What exactly is a zine? As the Zine (pronounced zeen) becomes more and more a part of mainstream art and culture, and ahead of our new Zine, CENTRE, we decided it was well worth answering the question many of you may have been pondering quietly, but never dared ask aloud: “Just what exactly is a Zine?”
Is it a cheap way of displaying and disseminating art, a vehicle for the distribution of political ideas, maybe a glossy collection of photos in a trendy indie bookshop, or perhaps an important format of 20th and 21st century art? Are they handmade, each one unique, printed in small circulation or in bulk quantities? Are they ‘high-art’ or punk?
The not so simple answer, (you’ll be pleased to know) is nowadays people use ‘Zine’ to refer to any, and all of the above. This may seem like a bit of a contradiction, and that’s because it very much is.
In order to understand this contradiction, it’s helpful to have a very brief history of Zine-making. It’s hard to pinpoint a particular time or instance of The First Zine, but there are a few pretty good examples throughout the 20th century of the format, for instance, Sci-fi fan literature and ‘fanzines’ from the 1930s onwards. Fans of existing Sci-fi literature used the format to discuss published stories and share theories/fanfiction amongst themselves, bypassing the need for controlling or selective editors and publishers.
The format also became popular amongst hardcore fans of different music genres, including Rock ‘n Roll, Punk, and paving the way for commercially successful publications like Dazed, Vice, and NME. Latterly Zines were used as a way of disseminating political ideas and organising political thought, like the Queercore and the Riot Grrrl movement of the 80s/90s. These zines were characterised by a Do-It-Yourself aesthetic, and at their root was a desire to centre marginalised voices (although Riot Grrrl as a movement was fairly white and heteronormative), to subvert and challenge unequal power structures, and to foster a sense of community in shared experiences. (woo)
Unfortunately as with most things, as the Zine has become increasingly popular, it has also begun to be appropriated by corporations. (boo) For example, that expensive glossy photo-book in the trendy indie bookshop that we mentioned earlier. The Zine DIY aesthetic is also one that corporations have attempted to appropriate. Despite this, and the introduction of the internet, the Zine as a physical object, continues to be an important format for contemporary activists and creatives.
So what content actually goes into a zine then?
So we’ve covered where Zine’s come from, now what’s in them…This time the answer is pretty simple…anything goes! Just some examples of things might be; stories, poetry, prose, collage, photos, drawings, visual art, recipes, scanned objects/items, song lyrics, reviews, letters, articles, research, infographics, political manifestos…the list goes on!
Feeling intrigued and inspired? Check out our open submission to have your work printed in CENTRE Zine in collaboration with RACE ZINE and Okocha Obasi.
Image credit: Race Zine, 2019, courtesy of the artist, Okocha Obasi.
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