2020 In Review

a zoom video call shows over 20 people onscreen and they are all doing their makeup

2020. Wow. We did not see that coming. The start of the year seems like a hazy fog, where the idea of putting on a huge drag king cabaret for 350+ people is like some mad dream. But that’s what we were preparing for back then.

Despite all the nonsense, heartache and grieving this year has brought, here at Andro and Eve we have things to celebrate. And as relentless purveyors of queer joy, (because joy is resistance, to so many communities), we’re here to review the highs, and some challenges that 2020 has brought.

Silvana Imam, a slim, blonde haired rapper, kneels at the front of a stage rapping. She wears desert boots, shorts and white hoodie.
Swedish Rapper Silvana Imam

We started the year with a screening of music documentary, Silvana, at legendary music venue, Yellow Arch Studios in Sheffield. Collaborating with Sheffield Doc/Fest, was a first for us, with Melanie Ireldale the deputy director, introducing this celebration of the story of Swedish rapper Silvana Imam, her rise to fame and blossoming romance with Swedish pop star Beatrice Eli. Many in the audience fell hard for this lesbian power couple that evening.

5 drag kings are placed in a montage. There is Prinx Silver, a spanish, white king with a crown and moustache. Christian Adore, who has olive skin, long balck hair, and dinner jacket on, with a bare chest. To his right is Georgeous Michael, a George Michael lookalive wearing a silver jacket, and in the centre is Wesley Dykes. He is a Black king with purple hat and sharp suit on. Mo terboat is in the corner, playing a guitar with open mouth. Mo is a white bloke with hoodie on.
Clockwise from top left, Prinx Silver, Christian Adore, Georgeous Michael, Wesley Dykes, Mo Terboat.

In March, we had the 6th edition of The Kingdom Come planned at Abbeydale Picture House with a stellar line up of talent. Just a few days after we trained our amazing team of volunteers at the venue, the board of Andro and Eve discussed the situation, and made the unanimous decision to cancel our drag king cabaret, scheduled for the 21st.

Facing a significant financial loss, the next week was a blur, but our community came through, with 85% of those who had already booked tickets, donating their ticket, which bought us valuable time to plan for a very different year and apply for funding. Thank you to you if you were one of those kind people.

In May we found out we had been successful in securing Arts Council England Emergency Funding. And with that a bit of breathing space. Launching our drag king workshop course in June, we were bowled over for demand for places on the course, with 50+ people taking part in 3 sessions led by drag king Christian Adore in July. Have a peep at what that involved, and what our participants thought in the video below.

Developing talent is key to our work. Our 2020 programme included an online Cabaret College, which we produced in collaboration with LoUis CYfer. Over 8 weeks, 13 emerging drag and cabaret acts were given the opportunity to develop their own material with regular mentoring from LoUis, and 4 creative sessions. As one of the participants said

The whole experience was so safe and welcoming. I was VERY nervous and always felt supported and like I could ask for help

As well as developing talent we were also aware that digital delivery would limit the audience for our work, and wanted to use print to connect. So we commissioned graduate artist, and founder of Racezine Collective, Okocha Obasi to produce a brand new zine. Okocha was mentored by artist Seleena Laverne Daye, and worked closely with Assistant Producer, Emma Bentley – Fox.

The resulting zine, Centre, featured the voices of a whole range of Northern LGBTQ+ people, specially commissioned pieces by director and writer Rikki Beadle – Blair, activist and founder of the Black Trans Foundation, Azekel, as well as an interview with one of our friends from Lesbian Asylum Support Sheffield. The zine sold 50+ copies in its first month on sale, raising £105 for Yorkshire’s Racial Justice Network. 50% of all sales go towards RJN, and we still have copies on sale, so grab one before they’re all gone.

A bright yellow zine with the words Centre Zine, in bold, black lettering sits on top of a hot pink surface.

We launched Centre zine with a special online party, A Reyt Queer Night In. With a vogue workshop by Mother of House of Ghetto, Darren Pritchard, and a party makeup workshop by Christian Adore, the night was topped off with a brilliant set from Gal Pal’s DJ Xzan. The night certainly went down well with attendees..

The music was amazing, really good range covered. I liked being greeted on arrival, the friendly, multigenerational space and chance to put in requests

It sure beat our first attempt at an online party – a Netflix screening party of Clueless on March 28th! It was cute, but, not quite up to our usual standard..!

DJ Xzan at a Reyt Queer Night In

In November we launched a new range of merchandise including postcard sets, badges and tote bags in the Trans Pride Flag colours. Because trans rights matter and we’re here to celebrate trans lives. They look lovely on our newly redeveloped website.

Behind the scenes, we filed our first year accounts to Companies House (what a highlight!), and Artistic Director, Katherine developed a Gender Awareness Training session, aimed at staff in organisations and businesses of all sizes. Both Assistant Producer Emma, and Katherine, undertook anti racism training through Racial Justice Network, with Emma also taking part in Access and Audio Description training with Quiplash. This will inform the way we work in the months to come and is an important part of our mission to make our work accessible and inclusive to all. 

a slim, East Asian model with mid length black hair is wearing a purple jumper and holding a turquoise and pink andro and eve logo tote bag.
New Andro and Eve logo tote bags in the Trans Pride flag colours!

On that note, we’ve just launched a new Community Survey. We don‘t know what the future holds, but we want to make plans with our community as the focus. If you’ve been to one of our events or workshops before, or follow us online and have 5 -10 minutes to spare, please complete the survey here. You can win a bundle of Andro and Eve goodies too!

Another highlight for Andro and Eve in 2020 was being invited to join Queer Arts North – a network of queer arts and Northern performance venues, platforming and providing talent development opportunities for LGBTQ+ artists in the North of England. It was great to be part of an artist networking event as part of Homotopia Festival in November.

Artistic Director of Trans Creative, Kate ODonnell, and Artistic Director of Andro and Eve, Katherine Warman at Queer Arts North Artist Showcase in March 2020.

The events of 2020 made us even more determined to work towards equality for all, and support the Black lives matter movement. The fight for racial equality would be nowhere without Black feminists like Audre Lorde, Angela Davis and Olive Morris, and Black LGBT+ community pioneers including Marsha P Johnson, Storme DeLarverie and Miss Major. We continue to familiarise ourselves with our history, and participate in anti racism work. On that note, this year, we’ve platformed Stop the Scandal, a campaign to prevent the use of mobile fingerprint scanners, linked to the Home Office database, by the police. If you haven’t read it yet, check out the piece by the Stop the Scandal campaign here. 

At this point, please excuse some soppiness in expressing a wholehearted thanks to the two new members of the Andro and Eve board, Lola White and Ellie Wyer. Having only joined the board in February, they came through hard for Andro and Eve, and have supported the development of the organisation in this most difficult of years. A special mention must also go to Assistant Producer, Emma, who has gone the extra mile to help us produce and market all our creative projects and events in the last year.

We want to say a massive thank you to all the artists we worked with in 2020, for your dedication, creativity and hard work. Thank you also to the team of freelancers who help make our work look so bold and beautiful. And thanks so much to the volunteers who’ve helped out this year too.

Andro and Eve volunteers enjoying some pizza, post training, March 2020.

In a year filled with challenges, and so much division sowed between communities, COVID has shown how unequal UK society is. We know in a way, that Andro and Eve and our tiny team are some of the lucky ones, we’ve carried on, while other enterprises have simply not been given the same support, or opportunity. We believe everyone should have the opportunity to make art, and access to culture. So we’ve dug in and got through 2020, and in many ways grown. But we know there is so much work to be done, and it is only in collective effort that we stand to make an impact.

Thank you to everyone who has told a friend about us, bought a ticket, donated, shopped or shared what we do. Your support is the reason we’re still here.

With love and solidarity

Finn

We are Andro and Eve

a set of faces appear in outrageous costumes in a zoom gallery

We’re Andro & Eve and we celebrate queer culture! Check out this new film sharing our work. If you’ve been to one of our events or workshops before, you might just spot yourself! You can also find out more about what we do here.

We’re proud to have continued to bring you creative activity during the last 6 months. This has been made possible through public donations and Arts Council funding. We’re continuing to fundraise behind the scenes to support activity in 2021.

You can help us. Want to know how? Here’s some ideas!

  • Buy a copy of Centre zine – packed full of queer goodness – a brill way to stay connected to queer culture.
  • Tell your workplace / boss about our new Gender Awareness Training, helping support more inclusive service provision for Transgender and gender diverse people.
  • Buy some of our cute new merchandise!
  • Sign up to our newsletter. Link below.
  • Donate using the ‘Support Us’ button on our website.

Your support the last 6 months has been so appreciated. It has enabled us to continue to bring people together and celebrate queer culture in these most challenging of times. Thank you.

Participants enjoying our Cabaret College with LoUis CYfer. September 2020.

Lets meet LoUis CYfer!

With just over a month until our our Cabaret College, we caught up with award winning drag king and actor Lucy Jane Parkinson, aka LoUis CYfer who we’re collaborating with for this set of online workshops..

LoUis CYfer was the first Drag King to win the crown at Drag Idol UK and has gone on to become a well known performer in the UK cabaret scene. A regular collaborator with theatre company Milk Presents, they have performed in theatre shows across the UK, balancing their acting and writing alongside appearances as LoUis CYfer. Having led some drag king workshops for us back in November 2019 we’re thrilled they are back to work with us on the Cabaret College. 

An androgynous person dressed in plastic gold armour poses with a hobby horse while a glitter canon goes off behind them
Lucy Jane Parkinson in JOAN. Milk Presents.

Q. Can you tell us about your past work?

As well some stints working in a Chinese takeaway and Morrisons, I have worked in in some of the best cabaret bars in the UK. I’ve travelled all over the world from Texas to Australia, performing both cabaret and theatre. I’ve run workshops which raise awareness around gender, masculinity and drag, alongside some of my favourite people in the whole world (Milk Presents). Together we cleaned up at the Edinburgh fringe a few years ago winning a Fringe First, a Stage Award and Spirit of the Fringe for our hit cabaret theatre show: JOAN. I’ve done lots of work with Milk Presents with shows such as BULLISH and video poetry projects like MY ENGLAND. Before lockdown I had just finished a restoration comedy at the Young Vic Theatre and a drama for the BBC.

Q. What is the character of LoUis CYfer like?

LoUis is like nobody I’ve ever met, he’s charming yet cheeky, he’s strong and masculine but delicate like a soggy dandelion. He’s a dickhead that you can’t help but have fun with.

Q. What got you into drag / cabaret and what do you like best about it?

I was an artist studying my masters and at the same time was having a complete identity crisis; LoUis was my way of processing my confusion. The best thing about cabaret is that the show isn’t someone else’s script, it’s all your own, and having a stage for your voice, (albeit to pissheads), feels like a great opportunity to create discourse in an entertaining manner.

Q. Is there anything about drag and cabaret you’d like to see change? 

Drag and cabaret is always changing and is constantly in flux, if you want me to say I’d like to see more kings I’m not going to do that … What I would like is to be able to see more arts funding for this genre as lots of cabaret artists are living hand to mouth. It would be good if we could apply for funds to make our travelling performances more like conventional touring theatre in terms of having a team and budgets for lighting and sound. Being on your own and doing everything can be a real stress and sometimes you forget to enjoy it.

Q. What do you hope to achieve through the Cabaret College? 

I want to improve the quality of the work on the scene. I’m sick of seeing people have to enter all these competitions to get recognition. It’s not a good start and doesn’t facilitate self – sufficiency and critical reflection for the artist. It is crucial to equip creative people with the tools to make good quality work.

Q. As someone working in the performing arts how have you adapted under COVID? What are you excited about working on in future? 

I’ve gone digital baby!!! This includes working with my own avatar as a way to explore character and technology. I’ve started my own podcast called FANNY KLUB and have been working with my partner in crime Rebecca Banatvala on our queer theatre company Korupt Kabuki. We have been writing monologues for actors to perform to camera, writing our own comedy show BOXTICKERS and thanks to Daisy May Cooper we have been writing our first treatment for a TV show about how we met. It’s been all go here at HQ.. Before lockdown I was due to start 6 months at Shakespeare’s Globe theatre in Twelfth Night so once things open up again I’m hopeful they will begin rehearsals and I’ll get my big break back!

Lucy leans over a table to help share drag king makeup skills to two participants who have painted on some thick eyebrows
LoUis facilitating a drag king workshop for Andro and Eve. Nov 2019

Can you tell us about someone that inspires you? 

Without trying to sound like a dickhead, no particular person inspires me. I find moments and memories inspiring but to be inspired I feel like you have to see something in someone else that you aspire to be or have.. I don’t feel like I’ve had the opportunity to see myself in anyone yet. Having said that I wouldn’t mind waking up one morning to find I am Jodie Comer, Victoria Wood, Robin Williams, Cathy Burke or Daisy May Cooper.

To find out more and apply for a place on the Cabaret College course head here and complete the short application form. Deadline 30 July. You can find out more about LoUis CYfer by following him on Instagram. 

Launching our Cabaret College!

Ready to take your act to the next level? Want some space to get inspired and learn new skills? This 8 – week online course is designed to give you the tools to develop material for your own drag or cabaret act, and build your confidence. Award winning actor, writer and drag king LoUis CYfer of Korupt Kabuki, will lead 4 interactive sessions and provide mentoring for participants.

Aimed at emerging drag and cabaret acts looking for a creative challenge, our Cabaret College is about developing talent in the North of England. The course will give some context for the history of cabaret and drag, share a host of creative techniques for generating original material, and prepare participants for live performance in a safe and supportive environment.

It is an ideal follow on for people who have already participated in our previous drag king king workshops.  It is also well suited to drag queens or other cabaret acts in need of space to create new material.

Cabaret College poster. For kings, queens and all in between. 19 August - 30 September. Tickets available via Tickets for good. Apply via a Google Form

Sessions will happen on a fortnightly basis with set tasks to work on in between, to then share with the group. Each participant will receive a small amount of one to one mentoring with LoUis CYfer to assist with and support any challenges participants may need to work through.

By the end of the course each participant will have

  • A clearer sense of their drag character or cabaret act.
  • Created their own original material.
  • Understand how to work an audience.

Places on this course are limited in order to provide the best possible learning experience for participants. It is expected that participants will already have a drag or cabaret character devised. Places will be prioritised for those living in Yorkshire or the North of England. Free bursaries are available to QTIBPOC in order to provide better representation in the UK drag and cabaret scene.

To secure a place on the course, please apply via our simple Google form by 5pm on Thursday 30 July. Successful applicants will be notified the following week.

Please note, this course is about generating original material and performing live. It is expected that participants will use their own voice through speech or song. Fees for the full course are £25 for General. £10 for Low Income. £50 for Solidarity. This pricing is made possible through funding from Arts Council England.

Course Details
WEEK 1 – 19 August
Covering the history of cabaret and drag and its relevance to a modern audience. Looking at your character and how they relate to the audience, covering all the basics to getting started!

WEEK 2 – 2 September
Introducing you to a whole range of techniques to help you generate original material and find the form that suits your own strengths and skills.

WEEK 3 – 16 September
Exploring how to respond to current events / contemporary society and generating material that has something to say. Unlocking your voice and using it to create innovative and entertaining material.

WEEK 4 – 30 September
This final session is all about audience engagement. Learning how to play with the audience and make them part of your set; and even how to manage hecklers!

We look forward to receiving your application! If you have any questions, please don’t hesitate to get in touch via our contact form.

Updated Sliding Scale Tickets

If you’ve booked for one of our events before, you’ll know we offer tickets on a sliding scale to ensure our events stay as accessible as possible. This is made possible through generous donations from the public when buying tickets, and support we receive from grant funding.

In recognition of the fact that many people’s income levels are changeable at the moment and the fact our events for the next 6 months will be online, we’ve adapted our prices for our upcoming events.

A range of ticket options are available for Andro and Eve events. Inlcuding, Free, Unwaged, Low Income, General Entry and Solidarity tickets.

We will have three ticket bands on sale for our upcoming workshops. General, Low Income, and Solidarity. Buying a Solidarity ticket helps contribute to our Pay it Forward ticket fund, ensuring we can continue to provide cheaper and free tickets to those who need them in future. We’re very grateful to those who buy these tickets. You can also add a contribution to this fund when buying tickets.

In recognition of the fact that many who will identify with the ‘Unwaged‘ descriptors *may* be able to afford the ‘Low Income‘ ticket, and to keep things simple, we have just one ‘Low Income‘ option. However, if this price prevents you from being able to attend our workshops, we are offering free bursaries to those in restrictive financial circumstances. Visit the ticket website to find out more.

We are very excited to be back to offering creative opportunities to access queer culture and we look forward to welcoming you to an online event soon!

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