On Live Events

Sister Mary Berry, of drag act, Shesus and the Sisters, wears a hard hat and high vis vest and is squirting an audience member with mist from a bottle looking cheeky.

We are sorry to say we will not be returning to host live, in – person events until Spring 2021 at the earliest. We have taken this decision in light of the ongoing situation with COVID-19 and the need to plan ahead as best we can.

As a queer – led social enterprise, which means we put people before profit, and care of the most vulnerable and marginalised at our heart, we cannot see a scenario in which we can bring properly safe and inclusive events to our community until next year. We know many of you, like us, are struggling with anxiety about returning to any sort of normal, and we recognise that we need to adapt.

We have spoken at length with our partner venues about the measures in place to maintain social distancing, and keep audiences and workers safe. Sadly, the capacities allowed in venues would in no way enable us to cover the costs of producing the events we have become known for. We also have the health and wellbeing of our artists, staff team and volunteers to consider. A Reyt Queer Do and The Kingdom Come are meant to be joyous and cosy events. We would rather wait and bring these events back when it feels much safer to do so. Right now, we couldn’t in good faith, host live events indoors when so many people are still shielding, or taking extra precautions to protect those around them.

A crowd, underneath lots of umbrellas hanging from the ceiling at Theatre Deli Sheffield, some seated and a lot standing click their fingers at the live drag artist on stage.
The crowd at A Reyt Queer Do 3, no social distancing needed back in 2019.

Under lockdown we are proud to have continued to support queer artists, delivering a range of creative activity and developing talent in the North of England. It’s been been wonderful to see new and familiar faces at our online workshops. We will be applying for more funding to continue to adapt our offer during these challenging times.

We know this has been a tough time for so many. We plan both to continue to offer online and remote activity, and take time to develop the organisation. We may start hosting in person workshops in Spring 2021, but we also realise there are many unknowns.

We’ve got plenty plans in the pipeline and will share those with you as soon as we can. If you’d like to support our work you can do so by donating via our website. Your support ensures we can continue to support LGBTQ+ artists in these difficult times.

Our new zine, CENTRE, will be launching in October, so make sure you’ve signed up to our newsletter  to be the first to get your hands on a copy and hear about a special online event to mark the occasion.

We can’t wait to return with a bang when it is safe to do so. Till then, we hope you can join us online soon.

With love and solidarity

Andro and Eve x

Lets meet LoUis CYfer!

With just over a month until our our Cabaret College, we caught up with award winning drag king and actor Lucy Jane Parkinson, aka LoUis CYfer who we’re collaborating with for this set of online workshops..

LoUis CYfer was the first Drag King to win the crown at Drag Idol UK and has gone on to become a well known performer in the UK cabaret scene. A regular collaborator with theatre company Milk Presents, they have performed in theatre shows across the UK, balancing their acting and writing alongside appearances as LoUis CYfer. Having led some drag king workshops for us back in November 2019 we’re thrilled they are back to work with us on the Cabaret College. 

An androgynous person dressed in plastic gold armour poses with a hobby horse while a glitter canon goes off behind them
Lucy Jane Parkinson in JOAN. Milk Presents.

Q. Can you tell us about your past work?

As well some stints working in a Chinese takeaway and Morrisons, I have worked in in some of the best cabaret bars in the UK. I’ve travelled all over the world from Texas to Australia, performing both cabaret and theatre. I’ve run workshops which raise awareness around gender, masculinity and drag, alongside some of my favourite people in the whole world (Milk Presents). Together we cleaned up at the Edinburgh fringe a few years ago winning a Fringe First, a Stage Award and Spirit of the Fringe for our hit cabaret theatre show: JOAN. I’ve done lots of work with Milk Presents with shows such as BULLISH and video poetry projects like MY ENGLAND. Before lockdown I had just finished a restoration comedy at the Young Vic Theatre and a drama for the BBC.

Q. What is the character of LoUis CYfer like?

LoUis is like nobody I’ve ever met, he’s charming yet cheeky, he’s strong and masculine but delicate like a soggy dandelion. He’s a dickhead that you can’t help but have fun with.

Q. What got you into drag / cabaret and what do you like best about it?

I was an artist studying my masters and at the same time was having a complete identity crisis; LoUis was my way of processing my confusion. The best thing about cabaret is that the show isn’t someone else’s script, it’s all your own, and having a stage for your voice, (albeit to pissheads), feels like a great opportunity to create discourse in an entertaining manner.

Q. Is there anything about drag and cabaret you’d like to see change? 

Drag and cabaret is always changing and is constantly in flux, if you want me to say I’d like to see more kings I’m not going to do that … What I would like is to be able to see more arts funding for this genre as lots of cabaret artists are living hand to mouth. It would be good if we could apply for funds to make our travelling performances more like conventional touring theatre in terms of having a team and budgets for lighting and sound. Being on your own and doing everything can be a real stress and sometimes you forget to enjoy it.

Q. What do you hope to achieve through the Cabaret College? 

I want to improve the quality of the work on the scene. I’m sick of seeing people have to enter all these competitions to get recognition. It’s not a good start and doesn’t facilitate self – sufficiency and critical reflection for the artist. It is crucial to equip creative people with the tools to make good quality work.

Q. As someone working in the performing arts how have you adapted under COVID? What are you excited about working on in future? 

I’ve gone digital baby!!! This includes working with my own avatar as a way to explore character and technology. I’ve started my own podcast called FANNY KLUB and have been working with my partner in crime Rebecca Banatvala on our queer theatre company Korupt Kabuki. We have been writing monologues for actors to perform to camera, writing our own comedy show BOXTICKERS and thanks to Daisy May Cooper we have been writing our first treatment for a TV show about how we met. It’s been all go here at HQ.. Before lockdown I was due to start 6 months at Shakespeare’s Globe theatre in Twelfth Night so once things open up again I’m hopeful they will begin rehearsals and I’ll get my big break back!

Lucy leans over a table to help share drag king makeup skills to two participants who have painted on some thick eyebrows
LoUis facilitating a drag king workshop for Andro and Eve. Nov 2019

Can you tell us about someone that inspires you? 

Without trying to sound like a dickhead, no particular person inspires me. I find moments and memories inspiring but to be inspired I feel like you have to see something in someone else that you aspire to be or have.. I don’t feel like I’ve had the opportunity to see myself in anyone yet. Having said that I wouldn’t mind waking up one morning to find I am Jodie Comer, Victoria Wood, Robin Williams, Cathy Burke or Daisy May Cooper.

To find out more and apply for a place on the Cabaret College course head here and complete the short application form. Deadline 30 July. You can find out more about LoUis CYfer by following him on Instagram. 

Launching our Cabaret College!

Ready to take your act to the next level? Want some space to get inspired and learn new skills? This 8 – week online course is designed to give you the tools to develop material for your own drag or cabaret act, and build your confidence. Award winning actor, writer and drag king LoUis CYfer of Korupt Kabuki, will lead 4 interactive sessions and provide mentoring for participants.

Aimed at emerging drag and cabaret acts looking for a creative challenge, our Cabaret College is about developing talent in the North of England. The course will give some context for the history of cabaret and drag, share a host of creative techniques for generating original material, and prepare participants for live performance in a safe and supportive environment.

It is an ideal follow on for people who have already participated in our previous drag king king workshops.  It is also well suited to drag queens or other cabaret acts in need of space to create new material.

Cabaret College poster. For kings, queens and all in between. 19 August - 30 September. Tickets available via Tickets for good. Apply via a Google Form

Sessions will happen on a fortnightly basis with set tasks to work on in between, to then share with the group. Each participant will receive a small amount of one to one mentoring with LoUis CYfer to assist with and support any challenges participants may need to work through.

By the end of the course each participant will have

  • A clearer sense of their drag character or cabaret act.
  • Created their own original material.
  • Understand how to work an audience.

Places on this course are limited in order to provide the best possible learning experience for participants. It is expected that participants will already have a drag or cabaret character devised. Places will be prioritised for those living in Yorkshire or the North of England. Free bursaries are available to QTIBPOC in order to provide better representation in the UK drag and cabaret scene.

To secure a place on the course, please apply via our simple Google form by 5pm on Thursday 30 July. Successful applicants will be notified the following week.

Please note, this course is about generating original material and performing live. It is expected that participants will use their own voice through speech or song. Fees for the full course are £25 for General. £10 for Low Income. £50 for Solidarity. This pricing is made possible through funding from Arts Council England.

Course Details
WEEK 1 – 19 August
Covering the history of cabaret and drag and its relevance to a modern audience. Looking at your character and how they relate to the audience, covering all the basics to getting started!

WEEK 2 – 2 September
Introducing you to a whole range of techniques to help you generate original material and find the form that suits your own strengths and skills.

WEEK 3 – 16 September
Exploring how to respond to current events / contemporary society and generating material that has something to say. Unlocking your voice and using it to create innovative and entertaining material.

WEEK 4 – 30 September
This final session is all about audience engagement. Learning how to play with the audience and make them part of your set; and even how to manage hecklers!

We look forward to receiving your application! If you have any questions, please don’t hesitate to get in touch via our contact form.

What is a drag king cabaret?!

It has come to our attention that, SHOCK HORROR, some folk don’t KNOW what a drag king cabaret is? Hold our redbush tea while we gently explain the lowdown on the glorious and rare beast that is a cabaret night dedicated solely to DRAG KINGS.

Drag king romeo de la cruz onstage dancing
Romeo De La Cruz performs at The Kingdom Come 5, May 2019

Firstly, some of you, (gasp) may not know what a drag king is, but we think you *may* have heard of drag queens. So, a drag king, instead of performing femininity like most queens, will perform a version of masculinity. This can include use of makeup, facial hair, body transformation, and just like a queen, a wholly formed persona to amuse an audience. But ‘blokes are not as exciting to look at as the trappings of a woman’ we hear some dissenters mouth.. HOLD UP! Have you seen Spikey Van Dykey?  Adam All? Christian Adore? Oedipussi? The latter three kings have all performed at our very own drag king cabaret, The Kingdom Come. No one with working eyesight could accuse these kings of not dazzling the heck out of audiences with their OTT looks.

Adam All and partner Aple Derrieres perform at The Kingdom Come, June 2017.

Starting to get an understanding? Okay. Now. Just don’t say ‘so its a woman dressed as a man right?’ This is because many kings identify as non binary, trans-masculine or as men. That said, some kings do go about daily life as women, just please ask before assuming this. Misgendering folk is never a good look and we really don’t want our community feeling less than damn brilliant. Got it? Champion.

So what does a drag king do? Glad you asked. They usually perform a 5 – 10 minute act in which they may dance, strut, pose, sing, lipsync or clown but always with the intention of entertaining an audience. Many kings use their performances to deconstruct and play with the idea of masculinity, using props, humour and audience interaction to give audiences a rollicking thrill ride of fun, while potentially also blowing your mind with a different perspective. Even if that perspective is that you didn’t know the macarena could be performed *that* fast, (cheers Oedipussi), or you now have a taste for a dick in a box (thanks Louis Von Dini)!

Chiyo onstage at The Kingdom Come, with tattoos and piercings on display
Scene star Chiyo performs at The Kingdom Come, May 2019. Abbeydale Picture House.

And a drag king cabaret such as The Kingdom Come? Well we put 5 of these kings on a massive stage, in the historic surroundings of old 1920’s cinema, Abbeydale Picture House in Sheffield, and get them to perform for 200 – 350 people. They usually perform 2 different acts each with an interval in between. Its a room full of queer joy, community and the feeling that for 3 hours, we can come together and just celebrate. We also transform the space with decorations, a dedicated lighting designer, stage crew, and a team of amazing volunteers are on hand to support our community throughout (and sell some of the best vegan cake in Sheffield).

We do this because often, female bodied and trans performers are marginalised, because its the turn of the kings to get the recognition they deserve, with scene stalwarts like Boi Box having helped develop the careers of so many wonderful kings, and because Northern cities like Sheffield deserve some of the finest entertainment the UK has to offer! (And like so many cities, are lacking in dedicated LGBTQ+ venues). We want to put Sheffield on the map for queer arts and culture.

350 audience members watch Shesus and the Sisters onstage in Sheffield.
Shesus and the Sisters hosting The Kingdom Come at Abbeydale Picture House, May 2019.

Now you may have a better understanding of what The Kingdom Come is, we hope you can join us for a future edition. Because of the scale of these shows (the largest drag king show outside of London), we only do them once or twice a year. Our next is on the 21st March and you can get a ticket here, with sliding scale prices so all can enjoy a night of queer joy!

We hope to greet you there! 

New Acts Wanted!

Could you be the next Wesley Dykes? Got a new act you want to debut? Or test out a scratch performance in front of a friendly and supportive audience?

Open mic slots available

We’re on the look out for new queer performance to fill our open mic slots at our events at Cast in Doncaster on 13 November and Theatre Deli Sheffield on 30 November. We’re committed to developing talent in Yorkshire and hope by offering slots across two nights we’ll be able to programme as much Northern talent as possible.

For A Reyt Queer Do 4: Reyt Northern Edition (13 November) and A Reyt Queer Do: Shine Like a Diamond Edition (30 November) we’re on the lookout for any type / style of queer performance as long as its between 3 – 10 mins long. As well as getting to share your act with our wonderful community you’ll also get £50 to cover any expenses and some photos of your act.

To apply to perform please send the following  to [email protected]

  • Name of your act
  • Short description of the act / style of performance
  • Where you are based
  • Whether you can perform at either night, or only Sheffield OR Doncaster. 
  • A short bio of your performance experience (don’t worry if you have none, but do tell us why you want to take advantage of this opportunity)
  • A 3 – minute video of you performing. This could be a link to a video online, or send us a file to download. 

We want to support Northern talent and highlight marginalised voices, so if this applies to you, please apply! Deadline for applications midday on 23/10/19. If you have any questions please also drop us a line. All applicants whether successful or not will be informed by 01/11/19.

If you’re planning on attending our DRAG KING WORKSHOP WEEKEND on 9 – 10 November and want to use either of these events as a way to debut the act you plan to create, we also encourage you to apply for a slot!

Our Sliding Scale Tickets

For the last 18 months we’ve offered sliding scale tickets for for all our events. This has been made possible through generous donations by our community when buying tickets, our limited edition pin badges, or through our fantastic raffles! (Huge thanks to the local Sheffield businesses, who have donated their goods towards this)*. We believe that everyone should have access to fantastic live performance, and feel welcome in warm, accessible spaces where they can be part of their community.  

We’re really pleased to say that our Arts Council funding is enabling us to add more options, so a wider range of people can enjoy our live events. Our next event at Theatre Deli will use these ticket bands, so we ask you to be honest with yourself and your financial situation when buying tickets – that way those who really need the discounted tickets will benefit from the reduction in costs. A fuller description of each ticket band is below.

Huge thanks to Leeds Queer Film Festival who originally inspired us to introduce sliding scale ticket prices, who in turn adapted their ticket bands from The Green Bottle Sliding Scale by Califia Collective (califiacollective.org). A massive thanks also to the Andro and Eve Community who continue to contribute to our Pay it Forward Ticket Fund as well as the excellent Tickets For Good who have supported us throughout and whose booking fees support good causes. Everyone mentioned has helped make it the success it is, just keep at it! Queer solidarity forever! x 

* Thanks to Birdhouse Tea Company, Pip and Peel, Truffle Pig Vegan, Cocoa Mester, Beer Central, Hard Times Vegan, Zeds, Our Fave Places, Showroom Cinema, Sheffield Theatres. 

A New Phase…

We are very excited to announce that less than a year since becoming a not for profit arts organisation, we have received funding from Arts Council England to support an exciting programme of work for Autumn 2019 – Spring 2020.

Our events continue to grow in scale and ambition, with the last, a drag king cabaret at Abbeydale Picture House, attracting an audience of 330 people. Building on this success we will produce another drag king cabaret, The Kingdom Come at Abbeydale Picture House in March 2020, along with another edition of queer party and performance series, A Reyt Queer Do at Theatre Deli Sheffield on the 30th November.

The programme will also provide both training and performance opportunities for emerging artists in the Yorkshire region, as well as showcasing some of the UK’s most exciting queer performance. We are also excited to announce a new collaboration with CAST in Doncaster, enabling us to bring our feel good events to Doncaster, with the first such event, A Reyt Queer Do, planned for 13th November and hosted by award winning Drag King Louis Cyfer.

This month also marks a new phase for the organisation, which was originally founded by Rhiannon Scutt and Katherine Warman in 2016 to address the lack of safe, inclusive spaces for the LGBTQ+ community to enjoy queer culture in Sheffield. Having worked together creating queer events over the last three years, Rhiannon is now stepping down as a director of the board, and Artistic Director and Chief Executive, Katherine Warman, supported by the board of directors, will lead the company. 

Rhiannon Scutt says ‘It has been a greatly fulfilling experience to nurture Andro & Eve from the seed of an idea and the tiny film night it started out as, to what it has become today. As lesbians in Sheffield, it was important to us that we offer an alternative, gentle night out, where the focus is fun and there is a sense of community. I’m proud to say I think we’ve achieved that time and time again. I wish Katherine and the team every success, and hope to support Andro & Eve events in the future as an attendee’

Natalie Diddams, Chair of the Andro and Eve board says, ‘we’re so grateful for the hard work and vital input Rhiannon has given to the organisation over the last three years. It’s been a pleasure working with Rhiannon and we wish her all the best with her future projects. We’re excited by the programme of work and confident that the plans we have, will help grow the community benefitting from our events to celebrate queer culture’.

We are also thrilled to announce a weekend of drag king performance workshops on the 9th – 10th November at Theatre Deli Sheffield. Participants will then have the opportunity to apply to perform at either CAST or Theatre Deli in one of the open mic slots showcasing new queer performance. The introduction of a Pay It Forward Ticket scheme in 2018 has enabled an increasing amount of audience members to attend events who may not otherwise have been able to access them, using donations from the public to support the scheme. The funding received will help support this provision of discounted and free tickets for those on lower incomes, as well as enhance accessibility for deaf and disabled audiences.

Katherine Warman comments, ‘It’s been an honour to work alongside Rhiannon the last three years and I’m so proud of what the team and we have achieved. The demand for our work is clear, with so many of our events in the last 18 months selling out in advance. I’m excited that this funding will help us work towards our vision to put South Yorkshire on the map for arts that explore LGBTQ+ lives, nurturing artists and the community we serve’.

Open Mic Slots: A Reyt Queer Do

Heard about our next event? A Reyt Queer Do: Electric Dreams Edition is on Saturday 16th February at Theatre Deli Sheffield, and is the 80’s themed queer party you’ve been waiting for! And now its your chance to perform in front of our friendly and supportive audience…

Drag King Louis Cyfer will be hosting a stage for queer performance within this event, and we have several open mic slots available for new acts, or new work you want to test out in front of a live audience. Drag, comedy, clowning, queerlesque, song, anything goes, as long as it will entertain. In return for you performing one 3 – 5 minute act we’ll provide refreshments and up to £20 reimburse travel expenses.

To apply for one of our open mic slots, please send us

  • The name of your act
  • A short bio about you (where are you based, experience, a tagline for your act)
  • A 2 minute video showing us an extract of your act or performance. If there is already a video online of you performing this act somewhere, you can send us the link.

Deadline to apply: 10am Wednesday 30th January. Priority for slots will go to those based in Yorkshire. We look forward to hearing from you! If you have any questions please drop us a line.

The Kingdom Come #4

On December 1st 2018, we brought our drag king cabaret, The Kingdom Come back to Walkley Community Centre, Sheffield. The night was a sell out, with audience members rocking some amazing costumes and outfits. Its never too early for tinsel right?

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Host Don One was charm personified, his Brummie accent and smooth songs winning everyone round. Stellar performances came from Dick Slick, Loui Von Dini, Mo Torboat and Chiyo, who were warmly enveloped in the love from our audience.

Don 1
Host Don One from Birmingham!

As usual the cake sold faster than you can say hotcakes, and the Andro & Eve volunteers did a brilliant job of helping the night run smoothly. We want to say a huge thanks to them for giving their time to help at this night and the others we’ve produced in 2018.

Loui.jpg
Loui Von Dini had treats for us all…

A massive thank you to Walkley Community Centre for lending us their venue again, to all the local businesses who donated towards our raffle, and our audience for contributing to our Pay it Forward Ticket fund. This fund allows us to provide cheaper and free tickets to those who need them. We raised £245 from this event through raffle and online contributions alone! Thank you! Here’s to more super events in 2019. Have you got your ticket to A Reyt Queer Do: Electric Dreams edition on February 16th yet?!

All photos credited to Ndrika Anyika. See more of the night via our Facebook album! 

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Pirates came ashore for the evening…!
Mo 1
Mo Torboat. Spoken Word Artist. Musician. All round good egg..
Dick + Audience.jpg
Dick Slick serenaded the audience…
Chiyo 3.jpg
CHIYO

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