On Live Events

Sister Mary Berry, of drag act, Shesus and the Sisters, wears a hard hat and high vis vest and is squirting an audience member with mist from a bottle looking cheeky.

We are sorry to say we will not be returning to host live, in – person events until Spring 2021 at the earliest. We have taken this decision in light of the ongoing situation with COVID-19 and the need to plan ahead as best we can.

As a queer – led social enterprise, which means we put people before profit, and care of the most vulnerable and marginalised at our heart, we cannot see a scenario in which we can bring properly safe and inclusive events to our community until next year. We know many of you, like us, are struggling with anxiety about returning to any sort of normal, and we recognise that we need to adapt.

We have spoken at length with our partner venues about the measures in place to maintain social distancing, and keep audiences and workers safe. Sadly, the capacities allowed in venues would in no way enable us to cover the costs of producing the events we have become known for. We also have the health and wellbeing of our artists, staff team and volunteers to consider. A Reyt Queer Do and The Kingdom Come are meant to be joyous and cosy events. We would rather wait and bring these events back when it feels much safer to do so. Right now, we couldn’t in good faith, host live events indoors when so many people are still shielding, or taking extra precautions to protect those around them.

A crowd, underneath lots of umbrellas hanging from the ceiling at Theatre Deli Sheffield, some seated and a lot standing click their fingers at the live drag artist on stage.
The crowd at A Reyt Queer Do 3, no social distancing needed back in 2019.

Under lockdown we are proud to have continued to support queer artists, delivering a range of creative activity and developing talent in the North of England. It’s been been wonderful to see new and familiar faces at our online workshops. We will be applying for more funding to continue to adapt our offer during these challenging times.

We know this has been a tough time for so many. We plan both to continue to offer online and remote activity, and take time to develop the organisation. We may start hosting in person workshops in Spring 2021, but we also realise there are many unknowns.

We’ve got plenty plans in the pipeline and will share those with you as soon as we can. If you’d like to support our work you can do so by donating via our website. Your support ensures we can continue to support LGBTQ+ artists in these difficult times.

Our new zine, CENTRE, will be launching in October, so make sure you’ve signed up to our newsletter  to be the first to get your hands on a copy and hear about a special online event to mark the occasion.

We can’t wait to return with a bang when it is safe to do so. Till then, we hope you can join us online soon.

With love and solidarity

Andro and Eve x

Lets meet LoUis CYfer!

With just over a month until our our Cabaret College, we caught up with award winning drag king and actor Lucy Jane Parkinson, aka LoUis CYfer who we’re collaborating with for this set of online workshops..

LoUis CYfer was the first Drag King to win the crown at Drag Idol UK and has gone on to become a well known performer in the UK cabaret scene. A regular collaborator with theatre company Milk Presents, they have performed in theatre shows across the UK, balancing their acting and writing alongside appearances as LoUis CYfer. Having led some drag king workshops for us back in November 2019 we’re thrilled they are back to work with us on the Cabaret College. 

An androgynous person dressed in plastic gold armour poses with a hobby horse while a glitter canon goes off behind them
Lucy Jane Parkinson in JOAN. Milk Presents.

Q. Can you tell us about your past work?

As well some stints working in a Chinese takeaway and Morrisons, I have worked in in some of the best cabaret bars in the UK. I’ve travelled all over the world from Texas to Australia, performing both cabaret and theatre. I’ve run workshops which raise awareness around gender, masculinity and drag, alongside some of my favourite people in the whole world (Milk Presents). Together we cleaned up at the Edinburgh fringe a few years ago winning a Fringe First, a Stage Award and Spirit of the Fringe for our hit cabaret theatre show: JOAN. I’ve done lots of work with Milk Presents with shows such as BULLISH and video poetry projects like MY ENGLAND. Before lockdown I had just finished a restoration comedy at the Young Vic Theatre and a drama for the BBC.

Q. What is the character of LoUis CYfer like?

LoUis is like nobody I’ve ever met, he’s charming yet cheeky, he’s strong and masculine but delicate like a soggy dandelion. He’s a dickhead that you can’t help but have fun with.

Q. What got you into drag / cabaret and what do you like best about it?

I was an artist studying my masters and at the same time was having a complete identity crisis; LoUis was my way of processing my confusion. The best thing about cabaret is that the show isn’t someone else’s script, it’s all your own, and having a stage for your voice, (albeit to pissheads), feels like a great opportunity to create discourse in an entertaining manner.

Q. Is there anything about drag and cabaret you’d like to see change? 

Drag and cabaret is always changing and is constantly in flux, if you want me to say I’d like to see more kings I’m not going to do that … What I would like is to be able to see more arts funding for this genre as lots of cabaret artists are living hand to mouth. It would be good if we could apply for funds to make our travelling performances more like conventional touring theatre in terms of having a team and budgets for lighting and sound. Being on your own and doing everything can be a real stress and sometimes you forget to enjoy it.

Q. What do you hope to achieve through the Cabaret College? 

I want to improve the quality of the work on the scene. I’m sick of seeing people have to enter all these competitions to get recognition. It’s not a good start and doesn’t facilitate self – sufficiency and critical reflection for the artist. It is crucial to equip creative people with the tools to make good quality work.

Q. As someone working in the performing arts how have you adapted under COVID? What are you excited about working on in future? 

I’ve gone digital baby!!! This includes working with my own avatar as a way to explore character and technology. I’ve started my own podcast called FANNY KLUB and have been working with my partner in crime Rebecca Banatvala on our queer theatre company Korupt Kabuki. We have been writing monologues for actors to perform to camera, writing our own comedy show BOXTICKERS and thanks to Daisy May Cooper we have been writing our first treatment for a TV show about how we met. It’s been all go here at HQ.. Before lockdown I was due to start 6 months at Shakespeare’s Globe theatre in Twelfth Night so once things open up again I’m hopeful they will begin rehearsals and I’ll get my big break back!

Lucy leans over a table to help share drag king makeup skills to two participants who have painted on some thick eyebrows
LoUis facilitating a drag king workshop for Andro and Eve. Nov 2019

Can you tell us about someone that inspires you? 

Without trying to sound like a dickhead, no particular person inspires me. I find moments and memories inspiring but to be inspired I feel like you have to see something in someone else that you aspire to be or have.. I don’t feel like I’ve had the opportunity to see myself in anyone yet. Having said that I wouldn’t mind waking up one morning to find I am Jodie Comer, Victoria Wood, Robin Williams, Cathy Burke or Daisy May Cooper.

To find out more and apply for a place on the Cabaret College course head here and complete the short application form. Deadline 30 July. You can find out more about LoUis CYfer by following him on Instagram. 

Cancelled – The Kingdom Come 6

It is with deep sadness and heartbreak that we announce the cancellation of The Kingdom Come 6 which was due to take place on Saturday 21 March at Abbeydale Picture House. This event, which would have been our 21st event, is the first event we have cancelled in our 4-year history. We do this in response to the escalation of the coronavirus and its impact on our wider community.

As a queer-led social enterprise, which means we put people before profit, and care of the most vulnerable and marginalised at our heart, we felt we must take action on this matter. By cancelling this event we can potentially reduce the amount of people contracting coronavirus, limit the impact of the coronavirus on our already strained NHS, and reduce the impact on public health workers.

As a small organisation with a staff team of one person alongside our team of volunteers, we cannot in good conscience put the health of our team, our artists, or wider community at risk. The board of Andro & Eve have consulted with our team and with our contacts in the arts and business community. This collective decision is not one we have taken lightly, or without much heartache.

Much of that pain comes from the fact that we know what the Andro & Eve events mean to our community, as well as to our artists. We send our love and solidarity to those already affected by coronavirus.

Everyone who bought a ticket is of course entitled to a refund, but if you can afford to, we’d ask you to consider your ticket a donation to help support our vision to bring queer arts and culture to South Yorkshire. Cancelling this event puts our financial security as an organisation at risk.

We rely on our big events such as The Kingdom Come to financially support the running of the organisation the rest of the year. Also, we are well aware of the pressures on freelancers at this time, and this will help us ensure that we can reimburse our artists and crew for fees they will lose, and in recognition for all the hard work they have already put into this event.

If anyone would like to support us at this extremely challenging time, you can by heading to Tickets for Good and buying a ticket for The Kingdom Come, before the 21st March. You can also add a contribution to our Pay it Forward Ticket fund there too. Your donation will be used to ensure we come back stronger and better than ever at a later date.

All those who have bought a ticket for The Kingdom Come will receive a discount on tickets for our next event; we will send a discount code to the email you used to book with, on announcement of the next event. We very much appreciate the support and trust you have placed in us. Details on refunds will also be sent to the email used to book with on Tickets for Good. Alternatively, please email hello@androandeve.com for more information.

We wish to thank our partner venues, Abbeydale Picture House and Theatre Deli Sheffield for their support and guidance in this difficult time. Independent venues and businesses in Sheffield will be at real risk of closure as we move through this health crisis. If you can also donate money towards Theatre Deli Sheffield or Abbeydale Picture House, you can do so via these links.

https://www.crowdfunder.co.uk/abbeydalepicturehouse

https://www.gofundme.com/f/theatredelisheffieldheatingfund

Finally, over the coming days we will be sharing resources to support our community. If you have any questions or have seen any useful links or resources, we are happy to promote.

For now, Queercare have some excellent resources available including this Google Form if you are in need of extra support at this time.

With love and solidarity

Team Andro & Eve

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