Our response to the Government Draft Guidance for Schools

Transgender Equality flag in blue, pink white on mint background

This is our response to the non-statutory draft guidance for schools & colleges in England and Wales regarding gender-questioning children and young people that was released on 19 December 2023 with a consultation open until 12 March 2024.

We sent our own response as an organisation to that consultation back in March and are sharing our response publicly now to record our opposition to it in its entirety. 

Andro and Eve have been working with the LGBTQ+ community for the last eight years, with LGBTQ+ young people the last 3 years, and we know first hand the impact on trans and gender expansive people when their right to exist is called into question. We are also leading facilitators of Gender Awareness Training, delivering our training to organisations throughout the UK since 2021. Our training enables teams to better serve and meet the needs of clients and customers of all genders, particularly those who fall under the Transgender umbrella. It is continually developed in response to the latest research and is grounded in lived experience and informed by sector best practice principles.

Every child and young person should be safe and respected in school or college and their best interests met in an environment that celebrates learning, inclusivity and diversity. The UK government’s draft guidance for schools in England does not respect or serve the interests of trans and gender-expansive children and young people and is at odds with existing children’s rights and equalities legislation in the UK, including both the Equality Act 2010 and the Human Rights Act 1998. The Equality Act and the protected characteristic of gender reassignment applies at any age. 

This guidance harmfully promotes and justifies the active exclusion of trans and gender-expansive children and young people, rather than seeking to support a cohort of young people whom we know already experience elevated risks of harm and bullying in educational settings. (Estyn, 2020, Hudson-Sharp & Metcalf, 2016, Jadva et al, 2023). 

Evidence indicates that 64% of trans young people had been bullied at school (Stonewall, 2017) and there has been an 186% increase in reported transphobic hate crimes in the last 5 years (ONS, 2023). While guidance asserts that bullying should never be tolerated in our schools and colleges, there is a concerning lack of measures to protect, include or advocate for trans and gender-expansive children and young people.

Teachers are often a vital resource for trans children and young people who do not feel safe at home. This guidance not only risks damaging the relationship between young people and teachers by creating additional barriers to disclosure or help-seeking, but could also mean trans and gender-expansive children and young people no longer feel safe at school or college. The risk of harm posed to young people if their parents are informed without their consent is deemed ‘exceptionally rare’ in the guidance. This does not cohere with findings from recent studies which document the lived experiences of trans young people (Just Like Us, 2023, McDermott et al., 2017), including research conducted by this government (Government Equalities Office, 2018).

That children and young people are questioning their gender identity is framed in this guidance as a product of ‘gender ideology’. This language departs from that which is used elsewhere in dominant UK political discourse and legislation, the UK Census, and the NHS, and is unacceptably inflammatory.  

The guidance is written through an unduly narrow ideological lens and perpetuates false narratives concerning sex and gender that have no basis in evidence. This only serves to deepen divides and stigmatise trans children and young people further. Crucially, the guidance inflames what is already an incredibly dangerous ‘culture war’, as it calls into question trans children and young people’s right to exist. This does nothing to mitigate the elevated risks of harm faced by vulnerable transgender young people and goes against the statutory duties of schools to safeguard all young people. The lives of trans and gender-expansive children and young should never be up for debate. 

We join with many other LGBT+ organisations, youth organisations and schools in urging the government to reconsider the position taken in this guidance and instead to view this as a vital opportunity to implement clear guidance that creates genuine inclusivity and safety for all children and young people, including by listening to children and young people themselves.

References: 

Estyn, 2020, Celebrating diversity and promoting inclusion: Good practice in supporting lesbian, gay, bisexual and transgender (LGBT) learners in schools and colleges

Hudson-Sharp, Nathan and Metcalf, Hilary, National Institute of Economic and Social Research (commissioned by the Governement’s Equalities Office), 2016, Inequality among lesbian, gay bisexual and transgender groups in the UK: a review of evidence. 

Jadva, J, Guasp, A, Bradlow, JH, Bower-Brown, S, Foley, S, 2023, Predictors of self-harm and suicide in LGBT youth: The role of gender, socio-economic status, bullying and school experience, Journal of Public Health, Volume 45, Issue 1, Pages 102–108.

Government Equalities Office, 2018, National LGBT Survey.

Just Like Us, 2023, Positive Futures: How supporting LGBT+ young people enables them to thrive in adulthood.

McDermott, Elizabeth, Hughes, Elizabeth, Rawlings, Victoria, 2018, The social determinants of lesbian, gay, bisexual and transgender youth suicidality in England: a mixed methods study, Journal of Public Health, Volume 40, Issue 3, pages e244–e251.

    Introducing Mama Ghetto and DJ Xzan

    Next month we launch our new zine CENTRE, with a special online event, REYT QUEER NIGHT IN, to bring our community together. And of course queer culture will be served up front and centre!

    A Black dancer strikes a classic old school Vogue pose on a runway. His hands are around his face and he wears a light suit jacket, jeans and T Shirt. He is lit dramatically by pink and purple lighting.
    Darren Pritchard

    Part of our offer is a Vogue dance workshop with Mama Ghetto aka Darren Pritchard. Darren is a performer, choreographer, producer and director. He is also a celebrated Vogue performer and Mother of the House of Ghetto Manchester. We’re thrilled he can join us to teach some Vogue moves and flair via Zoom!

    Darren says ‘Vogue is important to me, because it embraces my love of dance, my love of QTIPOC culture and allows me to be me and who ever else I want to be. Through the ballroom culture as a Mother I have seen people grow and develop and do things they thought they could never do’.

    Manchester’s House of Ghetto have made their name in the Manchester Vogue ball scene with tight choreography performed solely by Black female dancers. House of Ghetto also feature in documentary ‘Deep in Vogue‘, which examines the North West’s Vogue ball scene, and which premiered at BFI Flare in 2019. Darren has produced Vogue Balls throughout the UK including Manchester’s first Black Pride Vogue Ball as part of 2019’s Manchester Pride. Read more about the House of Ghetto and Darren here.

    Christian Adore looks sultry, directly at the camera. Christian is 5”5’, dashing young man with a glint in his eye stands before you - Imagine, if you will, that Johnny Depp and Oscar Wilde had a glittery love child, and raised him in the wings of London’s West End. That’s this guy. Thick eyebrows, olive skin, and a finely groomed pencil moustache, with a dark stubbly beard along a sharp jawline. Oh, and a thick mane of wavy black hair which reaches his buttocks
    Christian Adore will be leading a PARTY EYES makeup workshop! Photo. Ndrika Anyika.

    Our REYT QUEER NIGHT IN is about having fun with your community, so before getting your vogue on with Mama Ghetto, we’re encouraging you to join drag star Christian Adore with his ‘Party Eye’s’ makeup workshop, for all genders. Because remember, makeup has *no* gender! Its bound to be an irreverent and joyful way to get ready for your queer party at home!

    A Black non binary person DJ's on some decks. They are lit by purplelighting and wearing a green, geometric patterned shirt and glasses.
    DJ Xzan will be performing a live DJ set!

    Finally, we’re super excited that DJ Xzan, will be performing a live DJ set 9 – 11pm bringing the party direct to your front room. They’ll be playing a high energy set with plenty queer pop party anthems to help you share in the queer joy. DJ Xzan aka Xandice Armah is an open format DJ from London  and co founder of Gal Pals, the LGBTQ+ dance party centring womxn and excellent pop music. Xzan has supported the likes of Big Freedia, JD Samson, Anna Clavi, MNEK and Mabel, as well as playing at Glastonbury on the Sisterhood Stage.

    All those who pre order a copy of CENTRE will get sent a link to the DJ set for free, but if you want to join us from 7pm, you’ll need to get your ticket via Tickets For Good. Sliding scale prices to suit all budgets are available! We hope you can join us on the 10th October, serving your best party looks, and bask in the queer joy!

    CENTRE will be available on our online shop for pre sale on the 1st October and posted out around REYT QUEER NIGHT IN on 10th October. The zine is a collaboration with artist Okocha Obasi and created using Arts Council England’s COVID-19 Emergency Funding.

    On Live Events

    Sister Mary Berry, of drag act, Shesus and the Sisters, wears a hard hat and high vis vest and is squirting an audience member with mist from a bottle looking cheeky.

    We are sorry to say we will not be returning to host live, in – person events until Spring 2021 at the earliest. We have taken this decision in light of the ongoing situation with COVID-19 and the need to plan ahead as best we can.

    As a queer – led social enterprise, which means we put people before profit, and care of the most vulnerable and marginalised at our heart, we cannot see a scenario in which we can bring properly safe and inclusive events to our community until next year. We know many of you, like us, are struggling with anxiety about returning to any sort of normal, and we recognise that we need to adapt.

    We have spoken at length with our partner venues about the measures in place to maintain social distancing, and keep audiences and workers safe. Sadly, the capacities allowed in venues would in no way enable us to cover the costs of producing the events we have become known for. We also have the health and wellbeing of our artists, staff team and volunteers to consider. A Reyt Queer Do and The Kingdom Come are meant to be joyous and cosy events. We would rather wait and bring these events back when it feels much safer to do so. Right now, we couldn’t in good faith, host live events indoors when so many people are still shielding, or taking extra precautions to protect those around them.

    A crowd, underneath lots of umbrellas hanging from the ceiling at Theatre Deli Sheffield, some seated and a lot standing click their fingers at the live drag artist on stage.
    The crowd at A Reyt Queer Do 3, no social distancing needed back in 2019.

    Under lockdown we are proud to have continued to support queer artists, delivering a range of creative activity and developing talent in the North of England. It’s been been wonderful to see new and familiar faces at our online workshops. We will be applying for more funding to continue to adapt our offer during these challenging times.

    We know this has been a tough time for so many. We plan both to continue to offer online and remote activity, and take time to develop the organisation. We may start hosting in person workshops in Spring 2021, but we also realise there are many unknowns.

    We’ve got plenty plans in the pipeline and will share those with you as soon as we can. If you’d like to support our work you can do so by donating via our website. Your support ensures we can continue to support LGBTQ+ artists in these difficult times.

    Our new zine, CENTRE, will be launching in October, so make sure you’ve signed up to our newsletter  to be the first to get your hands on a copy and hear about a special online event to mark the occasion.

    We can’t wait to return with a bang when it is safe to do so. Till then, we hope you can join us online soon.

    With love and solidarity

    Andro and Eve x

    Lets meet LoUis CYfer!

    With just over a month until our our Cabaret College, we caught up with award winning drag king and actor Lucy Jane Parkinson, aka LoUis CYfer who we’re collaborating with for this set of online workshops..

    LoUis CYfer was the first Drag King to win the crown at Drag Idol UK and has gone on to become a well known performer in the UK cabaret scene. A regular collaborator with theatre company Milk Presents, they have performed in theatre shows across the UK, balancing their acting and writing alongside appearances as LoUis CYfer. Having led some drag king workshops for us back in November 2019 we’re thrilled they are back to work with us on the Cabaret College. 

    An androgynous person dressed in plastic gold armour poses with a hobby horse while a glitter canon goes off behind them
    Lucy Jane Parkinson in JOAN. Milk Presents.

    Q. Can you tell us about your past work?

    As well some stints working in a Chinese takeaway and Morrisons, I have worked in in some of the best cabaret bars in the UK. I’ve travelled all over the world from Texas to Australia, performing both cabaret and theatre. I’ve run workshops which raise awareness around gender, masculinity and drag, alongside some of my favourite people in the whole world (Milk Presents). Together we cleaned up at the Edinburgh fringe a few years ago winning a Fringe First, a Stage Award and Spirit of the Fringe for our hit cabaret theatre show: JOAN. I’ve done lots of work with Milk Presents with shows such as BULLISH and video poetry projects like MY ENGLAND. Before lockdown I had just finished a restoration comedy at the Young Vic Theatre and a drama for the BBC.

    Q. What is the character of LoUis CYfer like?

    LoUis is like nobody I’ve ever met, he’s charming yet cheeky, he’s strong and masculine but delicate like a soggy dandelion. He’s a dickhead that you can’t help but have fun with.

    Q. What got you into drag / cabaret and what do you like best about it?

    I was an artist studying my masters and at the same time was having a complete identity crisis; LoUis was my way of processing my confusion. The best thing about cabaret is that the show isn’t someone else’s script, it’s all your own, and having a stage for your voice, (albeit to pissheads), feels like a great opportunity to create discourse in an entertaining manner.

    Q. Is there anything about drag and cabaret you’d like to see change? 

    Drag and cabaret is always changing and is constantly in flux, if you want me to say I’d like to see more kings I’m not going to do that … What I would like is to be able to see more arts funding for this genre as lots of cabaret artists are living hand to mouth. It would be good if we could apply for funds to make our travelling performances more like conventional touring theatre in terms of having a team and budgets for lighting and sound. Being on your own and doing everything can be a real stress and sometimes you forget to enjoy it.

    Q. What do you hope to achieve through the Cabaret College? 

    I want to improve the quality of the work on the scene. I’m sick of seeing people have to enter all these competitions to get recognition. It’s not a good start and doesn’t facilitate self – sufficiency and critical reflection for the artist. It is crucial to equip creative people with the tools to make good quality work.

    Q. As someone working in the performing arts how have you adapted under COVID? What are you excited about working on in future? 

    I’ve gone digital baby!!! This includes working with my own avatar as a way to explore character and technology. I’ve started my own podcast called FANNY KLUB and have been working with my partner in crime Rebecca Banatvala on our queer theatre company Korupt Kabuki. We have been writing monologues for actors to perform to camera, writing our own comedy show BOXTICKERS and thanks to Daisy May Cooper we have been writing our first treatment for a TV show about how we met. It’s been all go here at HQ.. Before lockdown I was due to start 6 months at Shakespeare’s Globe theatre in Twelfth Night so once things open up again I’m hopeful they will begin rehearsals and I’ll get my big break back!

    Lucy leans over a table to help share drag king makeup skills to two participants who have painted on some thick eyebrows
    LoUis facilitating a drag king workshop for Andro and Eve. Nov 2019

    Can you tell us about someone that inspires you? 

    Without trying to sound like a dickhead, no particular person inspires me. I find moments and memories inspiring but to be inspired I feel like you have to see something in someone else that you aspire to be or have.. I don’t feel like I’ve had the opportunity to see myself in anyone yet. Having said that I wouldn’t mind waking up one morning to find I am Jodie Comer, Victoria Wood, Robin Williams, Cathy Burke or Daisy May Cooper.

    To find out more and apply for a place on the Cabaret College course head here and complete the short application form. Deadline 30 July. You can find out more about LoUis CYfer by following him on Instagram. 

    CENTRE, a new zine!

    This summer we’re very aware that many LGBTQ+ people will be missing the annual Pride celebrations, places where communities can come together and feel free, standing up for what matters to them.

    We’re also aware that as event organisers, we can’t physically bring people together. That is why we are collaborating with artist Okocha Obasi to create a zine. Obasi is a graphic designer and recent graduate from Leeds Arts University, and the creator of the RACEZINE COLLECTIVE whose aim is to platform creatives of colour. RACEZINE COLLECTIVE has produced projects include a non-profit zine, performance events and infamous club night TONGUE N TEETH.

    Through our collaboration we’re launching the new zine ‘Centre’. The hope is that this can act as method to connect folx across the North of England and provide visibility and a voice to our queer community, particularly those often marginalised.

    So with that in mind, here’s what you need to know about our latest project!

    CENTRE: A new zine

    What’s at your centre? What matters most? What are your hopes for the future, and how is this informed by who you are?

    CENTRE is about centering untold stories. We want responses from all ages, and all walks of life, but are particularly interesting in hearing and documenting Queer and QTIBPOC stories in the North of England. We’re also keen to hear from LGBTQIA folx identifying as neurodiverse, deaf or disabled.

    We’re looking for responses in the form of: Letters, personals stories, personal historical materials, recipes, interviews, art, comics, drawings, prints, paintings, spoken word, intergenerational collaborations, short stories and anything else that you want to share with the world.

    To submit something all you need to do is complete our Google form and attach your submission there. If you have any issues using tech, or need extra support, drop us a line and we’ll do our best to help you.

    Deadline for applications is midday on Monday 10th August.

    We cannot guarantee that all work submitted will make it into the published zine, however we may (with your permission) publish your work on our website instead.

    The zine will be published in the Autumn and launched with a special online event. More details to be announced!

    We look forward to receiving your work!

    Updated Sliding Scale Tickets

    If you’ve booked for one of our events before, you’ll know we offer tickets on a sliding scale to ensure our events stay as accessible as possible. This is made possible through generous donations from the public when buying tickets, and support we receive from grant funding.

    In recognition of the fact that many people’s income levels are changeable at the moment and the fact our events for the next 6 months will be online, we’ve adapted our prices for our upcoming events.

    A range of ticket options are available for Andro and Eve events. Inlcuding, Free, Unwaged, Low Income, General Entry and Solidarity tickets.

    We will have three ticket bands on sale for our upcoming workshops. General, Low Income, and Solidarity. Buying a Solidarity ticket helps contribute to our Pay it Forward ticket fund, ensuring we can continue to provide cheaper and free tickets to those who need them in future. We’re very grateful to those who buy these tickets. You can also add a contribution to this fund when buying tickets.

    In recognition of the fact that many who will identify with the ‘Unwaged‘ descriptors *may* be able to afford the ‘Low Income‘ ticket, and to keep things simple, we have just one ‘Low Income‘ option. However, if this price prevents you from being able to attend our workshops, we are offering free bursaries to those in restrictive financial circumstances. Visit the ticket website to find out more.

    We are very excited to be back to offering creative opportunities to access queer culture and we look forward to welcoming you to an online event soon!

    Staying Queer during COVID-19

    We’re happy to announce that we have received Emergency Funding* from Arts Council England to help keep us going and provide a programme of online and remote activity over the next 6 months.

    Since cancelling our last event in March owing to COVID-19, we’ve been working hard to adapt to the new climate. We’ve also been trying not to panic at the possibility that the sort of live events we create *may* not be safe to organise until 2021. Our future looked, at best, risky. For that reason we’ve reached out to queer artists in order to generate a programme of activity that will support and uplift our community through these challenging times.

    This funding enables us to continue our talent development strand for emerging artists. This will compromise both online workshops for complete beginners led by drag king and musical improv expert, Christian Adore, and a more in depth ‘Cabaret College’ for acts wanting to push their skills and learn how to devise their own material. The latter will be led by actor, writer and drag star Lucy Jane Parkinson, aka Louis CyFer.

    A suited drag king with long hair and moustache looks directly into the camera
    Christian Adore will lead ‘Drag king workshops’ for beginners

    Alongside the talent development, we realise there is a need to connect with and hear the voices of the wider LGBTQ+ community and queer artists. To do this we will be creating a special zine both as a documentation of this strange time and a way to connect that does not rely on digital technology. This project will be led on by Leeds -based artist Okocha Obasi in collaboration with emerging producer Emma Bentley – Fox.

    The zine will feature the voices of queer writers and artists alongside work submitted by members of the community who want to share their thoughts / dreams / ideas. We’ll print and distribute and launch with a special online launch party featuring queer performers and DJ set for indoor dancing. Along with this programme the funding will help us redevelop our website, and support staff time to ready the organisation for next steps.

    We’re very thankful that we can continue to provide unique opportunities to ‘come together’ through queer culture and look forward to connecting with you all again. We’re also aware, however, that there are many great people and organisations that did not get this funding. It is one of the reasons why we will continue to make our work as accessible as possible and centre those otherwise marginalised.

    In the meantime, we have set up a donation form on our website. All donations directly support our work in supporting queer artists and our community. We don’t know when we’ll be able to physically be in the same space again, (though currently we have no plans for physical events until beyond October). Your support ensures that when we can return to physical events, we’ll be back better than ever before.

    Want to be the first to find out more about the above projects and opportunities? Sign up to our newsletter now!

    Team Andro & Eve x

    ** Funding received – £10,900.

    Welcome to our new Board Members

    We’re delighted to announce the appointment of two new board members. Lola White and Ellie Wyer join Andro and Eve founder and CEO, Katherine Warman, as Directors of the board and have been in post as Directors for nearly 3 months.

    Lola White

    They bring to the organisation a robust set of skills and knowledge in HR, finance, partnerships and organisational development in both the private and public sectors.

    Ellie Wyer

    Katherine Warman CEO of Andro and Eve says ‘I’m delighted that Ellie and Lola are now part of Andro & Eve as they bring a wealth of expertise that will help develop the organisation. At such a challenging time for the culture sector, we are working hard to respond to the situation we find ourselves in, and are planning ways to adapt our delivery model’.

    Andro and Eve celebrates 4 years producing events to celebrate queer culture this week, so we’re very pleased to be able to share this news with you. To find out more about our board and team, head here. 

    Vegan Banana Bread

    ingredients to make a vegan banana bread are laid on a wooden table. Sugar, flour, wooden spoon, bowl.

    We know life is incredibly tough for so many people right now. Not least LGBT+ people isolated from supportive friends and networks that can be a lifeline. We know we’ve been missing our queer community and queer life in Sheffield during lockdown. We’ve been working hard to bring you some content that might prove useful, or bring joy. Our Instagram Stories and Twitter feed are full of news, resources and online events that can help members of the LGBT+ community during this pandemic.

    Today we’re sharing something tasty. If you’ve been to one of our events you’ll know how important a feature our cakes are, and we’re missing them. Over the coming week we’re celebrating 4 years since our first event in Sheffield (a cosy screening of Jamie Babbit’s But I’m a Cheerleader, at which a giant cheerleader skirt cake made a splash!)

    So what better way to mark 4 years of Andro & Eve than by sharing a recipe from our very own baker, Kat, otherwise know as Kelham Island Kitchen. Her blog is full of delicious vegan cooking, and her cakes are a staple of Andro & Eve events. Fun fact – Kat was the very first volunteer for Andro & Eve, back in 2016!

    Ingredients for banana bread on a wooden table. Bananas, sugar, flour, oil.

    This cake was featured at our January screening of SILVANA at Yellow Arch Studios. Its proper comfort food, ideal for coping with lockdown life, and not too expensive to make either. We know how hard it is to make ends meet for a lot of folx right now. It may be a quarantine cliche, but an easy banana bread, may be just the tonic. (I certainly enjoyed baking and eating this last week as a test – Katherine). Enjoy!

    (And if you do bake this, please tag us @androandeve in any pics. We’d love to see!

    Why not chuck in some dark chocolate chips, peanut butter or toast a slice with some coconut yoghurt for breakfast?

    Kelham Island Kitchen’s Vegan Banana Bread 

    Ingredients 

    • 3 large, overripe bananas
    • 2 tsp cinnamon
    • 1tsp mix spice
    • 200g plain flour
    • 1 tsp baking powder
    • 150g brown sugar
    • 75ml vegetable or sunflower oil
    • 1 tsp vanilla extract
    • 100ml oat milk – if it needs it

    Instructions 

    1. Preheat the oven to 180 (160 fan) mark 4
    2. Grease and line a loaf tin
    3. In a large bowl mix the flour, spices, sugar and baking powder
    4. In a separate bowl mash the bananas then add the oil and vanilla
    5. Mix the dry and wet mixtures together, if needed add the oat milk
    6. After a thorough mix pour into the prepared loaf tin and sprinkle some brown sugar on the top
    7. Bake in the oven for 45min – 1hr until a skewer inserted into the middle comes out clean
    8. Leave to cool in the tin for 10 minutes before removing to cool
    9. Enjoy!

     

     

    Finding My Community

    ‘I struggled to find a community that would really support me in my drag journey’

    For years, I’ve been interested in becoming a drag king – partly because of my theatre degree and fascination with gender as performance – but I’ve struggled to find a community that would really support me in my drag journey. So, when I saw a poster advertising Andro and Eve’s Drag King Workshop in November 2019, I simply knew I had to sign up for it.

    Drag king louis Cyfer tutors workshop participants in drag makeup skills
    Drag king Louis Cyfer teaches some drag makeup skills

    Before the big weekend, I was buzzing with anticipation, but there was also a fraction of performance anxiety, as the practical workshops, especially comedy and character development, sounded challenging. On the second day of skills workshops, brilliantly facilitated by Katherine and Natalie, I found myself literally crawling on the floor whilst performing my first ever comedy improvisation that made my audience laugh. This wasn’t just confidence-boosting, it really made me realise I could “do” things, if only I was brave enough to take the plunge.

    Workshop participants enjoy exploring gender as performance
    Exploring gender as performance

    The talent within our group is incredible. Some are charismatic performers, there are actors, singers, musicians and dancers, but everyone is warm and supportive. Our little community thrives on WhatsApp and some of us have met up at local events, such as Andro and Eve’s own Reyt Queer Do. The friendships forged at the workshop are proving an invaluable source of positive energy and inspiration during these strange times. I admit I can’t wait until I see the other Kings again on the other side of lockdown.

    Andro & Eve director Katherine leads a session in gender as performance. They are sat in chairs having fun 'manspreading'.
    Katherine Warman, Andro & Eve creative producer leads a session in gender as performance.

    Developing Tristan – my drag king alter-ego – brings me a lot of joy. He still hasn’t quite found himself but he started his own life on social media and I’m looking at developing more comedy material, especially bad poetry. I’m truly grateful to Andro and Eve for giving me the tools to this wonderful, creative outlet and helping me find my place within the queer arts community.

    Maria.

    A group discusses creative ideas about creating scenes

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